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If you've never had the displeasure of seeing the Italian ISLAND MONSTER (aka LE MONSTRE DE LA ILE) let me assure you it's easily Boris Karloff's worst film, hands down (not counting MONDO BOLARDO). This is so bad it makes his Jack Hill mexican "cameo" pictures looks good.
Not at all a horror film, Karloff plays a seemingly good-natured old soul who's really involved in drug smuggling and all sorts of other underhanded activities on a secret island location. One of these involves him kidnapping the little daughter of an investigator who's been sent from Naples to monitor his movements.
The film makes little sense, but as lousy as it is there's still something oddly fascinating about watching Boris in such a production, amidst the picturesque setting. Style is non-existent with the exception of one fleeting moment where Karloff interrogates the crying child in darkness. The english dubbing is abysmal yet it provides unintended laughs as we hear some guy doing a really bad Karloff impression while an obviously adult woman provides the silly whines and whimpers of the frightened little girl who's been taken hostage. That's funny stuff, and prime fodder for all you MST nuts out there.
This film has just been released from RETROMEDIA as a Karloff Double Feature, along with an "uncut letterboxed transfer" of their already-available CHAMBER OF FEAR ( 1968 -- also known as FEAR CHAMBER). Unfortunately, the audio is way out of synch with the picture. When checking it against the older DVD, the first release was much better matched.
If you've never had the displeasure of seeing the Italian ISLAND MONSTER (aka LE MONSTRE DE LA ILE) let me assure you it's easily Boris Karloff's worst film, hands down (not counting MONDO BOLARDO). This is so bad it makes his Jack Hill mexican "cameo" pictures looks good.
Not at all a horror film, Karloff plays a seemingly good-natured old soul who's really involved in drug smuggling and all sorts of other underhanded activities on a secret island location. One of these involves him kidnapping the little daughter of an investigator who's been sent from Naples to monitor his movements.
The film makes little sense, but as lousy as it is there's still something oddly fascinating about watching Boris in such a production, amidst the picturesque setting. Style is non-existent with the exception of one fleeting moment where Karloff interrogates the crying child in darkness. The english dubbing is abysmal yet it provides unintended laughs as we hear some guy doing a really bad Karloff impression while an obviously adult woman provides the silly whines and whimpers of the frightened little girl who's been taken hostage. That's funny stuff, and prime fodder for all you MST nuts out there.
This film has just been released from RETROMEDIA as a Karloff Double Feature, along with an "uncut letterboxed transfer" of their already-available CHAMBER OF FEAR ( 1968 -- also known as FEAR CHAMBER). Unfortunately, the audio is way out of synch with the picture. When checking it against the older DVD, the first release was much better matched.
