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Aug 13 06 10:58 AM
Aug 31 06 9:23 PM
Burgomaster
Sep 1 06 1:57 AM
Sep 6 06 1:10 AM
Quote:How did you get access to back issues of the Chicago paper?
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TomWeaver999 wrote: Because Lorre was in MALTESE FALCON, CASABLANCA, lots of top classics, I too feel funny thinking of him as a "horror star" the way I do Karloff, Lugosi, etc. Which, in a way I guess, is me saying to myself, "Apparently part of my personal definition of 'horror star' is a guy that REAL moviemakers, the top moviemakers, rarely or never hire for high-class movies. Lorre WAS in high-class movies sooooo ... mainstream Hollywood must not have put him in the 'horror star' category so maybe I shouldn't either."As I've posted here before, mainstream (non-horror) Hollywood seems to have had more use for Lon Chaney Jr. than they did Karloff.
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May 19 10 7:53 AM
TomWeaver999 wrote: when Lorre read the script, he thought it was a piece of ++++
May 19 10 9:42 AM
TomWeaver999 wrote: The original plan for THE SHE-CREATURE was Edward Arnold and Peter Lorre (re-teamed after CRIME AND PUNISHMENT), and Arnold was all set. And Lorre's agent promised AIP that Lorre would do it (AIP even created a poster or something with Lorre's name on it). But when Lorre read the script, he thought it was a piece of ++++ and hit the roof that his agent had committed him to it. Furious, he fired the agent and adamantly refused to do the picture.And then Edward Arnold died, so the whole plan went out the window.
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