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Ratings * to ***** stars, with a special "barf" rating for select below awfuls. Occasional brief comments. An extra (+) for "bad" movies that are extra entertaining.   YT for youtube viewing.

Conan the Barbarian (2011)--**--The big action climax was poorly directed.  Also, a very dull movie visually.
Catch 44 (2011)--**--Didn't care about any of the characters or who survived the shootouts.
Three Little Words (1950)--****
The Wicked Lady (1945)--****+-- (YT)--Old school bodice-ripper with Margaret Lockwood an upper crust British lady who goes all the way into depravity-stealing her best friend's fiancee, marrying for money, turning to highway robbery out of boredom, shootings, poisonings, smothering an old codger with a pillow, all topped by sex in the bushes with James Mason. 
Call Me Madam (1953)--****1/2--Ethel Merman in signature role, and George Sanders as a suave charmer who sings with style.
There's No Business Like Show Business (1954)--***1/2--a biggie with Merman and Monroe.  Poor script, but Berlin music and stars keep it afloat. 
El hombre que debia una muerte (1955)--***--(YT)--Argentine noir--plain rich girl falls for suave murderer.  Predictable complications.  Ugly duckling becomes swan while murderer has second thoughts.
Lost Swordship (1977)--***--(YT)--Chinese sword fu flick in which hero's entire village is killed off and his wife kidnapped by an evil cult led by a masked supervillain.  Hero begins killing his way toward the Mr Big villain.  Interesting plot, plenty of action, and a twist ending which I saw coming early on.
The Tattered Dress (1957)--***1/2--(YT)
Elvis: That's the Way It Is (1970-2001)--***--Just didn't think the performance was all that good.  I know.  I'm unamerican.  My wife gives this a 5, though.
Charro (1969)--**--Elvis western.  zzzzzz  
Dracula vs Frankenstein (1970)--*1/2+--(YT)--with Michael Rennie & Paul Naschy.  Even worse film than Charro, but less boring.
The Mongols (1960)--***
Winners of the Wilderness (1927)--***1/2--(YT)--very poor youtube print, but movie is fast paced, well mounted, and exciting.  An historical epic of the French and Indian War rather than a western, with Tim McCoy a Fairbanks style swashbuckler and ladies man.   Highlights include a large scale recreation of the Braddock defeat, an unexpected plot twist, and McCoy engaging the villain in a climactic fencing dual while riding a galloping horse Roman style (standing up).  An outstanding performance by either McCoy or his stuntman.  Joan Crawford is the leading lady.
Wagons West (1952)--**--dull cinecolor Rod Cameron western with Rod leading wagon train.
Fort Osage (1952)--**1/2--cinecolor Rod Cameron western is okay, if cliched, with Rod leading wagon train.
The Gunman (1952)--**--"lost" Whip Wilson western is nothing much.
Montana Incident (1952)--***1/2--"lost" Whip Wilson western is above average thanks to offbeat plot and top turn by Peggy Stewart as a ruthless town boss villain, with Noel Neill her good-girl sister.
Stage to Blue River (1951)--***--Okay Whip Wilson oater thanks to good mystery plot and Phyllis Coates as the heroine.  Whip wasn't much as a cowboy star, but he had appealing leading ladies.
Night Raiders (1952)--**1/2--well-plotted Whip western.
Wyoming Roundup (1952)--**1/2--Another well-plotted Whip western.
The Great Ziegfeld (1936)--***1/2
The Patsy (1928)--****--fun comedy with Marion Davies & Marie Dressler.  Davies is hilarious in this one. 
Dr Jekyll and the Werewolf (1973)--**1/2--somewhat offbeat Paul Naschy werewolf flick with Paul's Hyde just one of the folks in swinging London.
The Devil's Possessed (1974)--**1/2--Not a horror film.  A swashbuckler, with Naschy the villain.
Masada (1981)--barf--(*** on quality)-A very political mini-series.  Acting is not bad, but it did drag, with tedious siege scenes and little action.  The ending is just so political it was impossible for me to not react to the politics, which I found distasteful.  Yes, this had an historical basis, but for modern men to find any inspiration in this story struck me as sick. (*added--after having done research, this is very inaccurate history, and inaccurate in a distasteful manner)
Canyon Raiders (1951)--**1/2--Ok Whip western with Phyllis Coates a lady sheriff.
Citizen Kane (1941)--*****
Frontier Gal (1945)--****--fun un-PC western with Yvonne DeCarlo and Rod Cameron as battling spouses.
Cavalier of the West (1931)--***--ok Harry Carey oater with the very young Kane Richmond & Gabby Hayes in support.
Raiders of Red Gap (1943)--*--lone rider oater with fifty minutes of unfunny comedy and five minutes of poorly staged action relief.
One of Our Spies is Missing (1966)--**1/2--Man From Uncle movie has great premise, but execution and casting is mediocre.
The Spy in the Green Hat (1967)--****--best Uncle flick with great villains in Jack Palance and Janet Leigh, and an hilarious old-time gangster subplot.
Dick Tracy (1990)--***--worth it for striking visuals, despite mouldy plot.
The Night Evelyn Came Out of the Grave (1972)--**--Tedious first hour, despite nudity-pace picks up with gory last 35 minutes.
Rock, Rock, Rock (1956)--***--will cute as can be Tuesday Weld get her new dress for the prom?  Plenty of nostalgic rock acts.  Tuesday's lip-synching to Connie Francis is even less convincing than Madonna was at the Super Bowl.  Chuck Barry is the musical highlight.  Some of the rock acts struck me as blah, but the comic plot was better than expected thanks to Weld.
Night Fright (1967)--*1/2+--poorly made monster in the woods flick with a washed up John Agar.  All time rattiest "ape" costume for the monster.  In fairness, I am about the only viewer who likes this one at all.  It might be because the road in the woods the necking teenagers used looked exactly like the one I used to take dates on way back when.  Nostalgia, I guess.
Rock n Roll Revue (1955)--***--Not much rock n roll, but top talent--Duke Ellington, Dinah Washington, Nat King Cole, and Joe Turner.  Just straight variety show. 
Tyrant of Lydia Against the Son of Hercules (1963)--***1/2--solid sword and sandel actioner with an intelligent script and a great hero in Gordon Scott.
Atlas in the Land of the Cyclops (1960)--**1/2--lacks action, but Chelo Alonso as a sexy evil queen and a good monster in the cyclops made it okay for me.
The Great Waltz (1938)--*****--a real pleasant surprise.  I imagine a totally inaccurate bio of Johann Strauss, but great music, and an intriguing romantic triangle--with Luise Rainier as the loyal wife and Maliza Korjus playing the seductive other woman to the hilt.  I thought Korjus was better at playing the flirt than Garbo or Dietrich.  At once campy, silly, and yet sophisticated, it is a lot of fun, with the Strauss waltzes given often marvelous staging.  Lionel Atwill is on hand as Korjus' "keeper" with Henry Hull as Emperor Franz Josef. 
Cannonball Run (1981)--***--great cast makes it okay.  Roger Moore and Jackie Chan stole the show for me.
Giant (1956)--****--sincere, but making Jett Rink the poster boy for all that was wrong with Texas, including racism, unbalanced it for me.  I wanted Jett to get Carroll Baker.  Story just wasn't good enough to justify nearly four slow hours.
Two Weeks with Love (1950)--****--funny Jane Powell film with Ricardo Montalban and Debbie Reynolds, and some top musical numbers.
West of the Pecos (1945)--****--comic western with Barbara Hale pretending to be a boy while falling for an unobservant Robert Mitchum.
Broadway Melody (1929)--**+--creaky, dated, but watchable with a fair plot and good score, even if the production is crude by later standards. 
Party Girl (1958)--***1/2--Gangster movie done in the garish style of an MGM musical, which I found refreshing, but too many plot cliches, and totally predictable.
Black Sabbath (1963)--*****--Bava and Boris in top form.
Tales of an Ancient Empire (2010)--barf--really awful sword and sandal vampire story.
Ninja's Creed (2009)--barf--no Ninjas, no action, no sense, no nothing.
Oklahoma Blues (1948)--**1/2--After the above two, this ordinary Jimmy Wakely oater looked good.
Hedda Gabler (1981)--****1/2--stiffly filmed for TV, but Diana Rigg gives a strong performance in the title role of an interesting play.
Dodge City (1939)--***--flat big budget technicolor western.  Only the charm of Errol and Olivia get it this high.  The climax is both silly and unexciting, as the bad guys ride alongside the train like ducks in a shooting gallery while Errol picks them off.  Why not turn the horses in the opposite direction of the train? to attempt a getaway?
Chato's Land (1972)--****--Charles Bronson's role is mainly silent in one of his best.
The Silencers (1966)--**1/2--The first and best of the Matt Helm spy spoof series.  Dean sleepwalks through it, but Stella Stevens and a reverse-shooting gun are funny.
Lovely to Look At (1952)--**1/2
The Trail of '98 (1928)--****--melodramatic epic about the Klondike gold rush was filmed on location and is visually awe-inspiring, and often brutal.  Good ol' Harry Carey is the standout as an evil pimp who rapes the lovely Dolores Del Rio, before getting his just desserts in a still shocking climax.
Roberta (1935)--****1/2
Angels in the Outfield (1951)--***1/2--sometimes overly cutesy comedy, but Paul Douglas makes it okay for me, and Janet Leigh sure was "purty" back then.  And Ty Cobb coming off as likable?  Talk about fantasy.
Trail Street (1947)--****--Randolph Scott cleans up the town in an above average traditional good guys-bad guys western.
Anne of the Thousand Days (1969)--****--overlong, but interesting and very well acted.
Bride of Frankenstein (1935)--*****
Abilene Town (1946)--***1/2--Randolph Scott cleans up the town.
The Thundering Herd (1933)--***--Often impressive silent footage, but antique Zane Grey western is often crude, and Randolph Scott's lounge lizard moustache has to go.
Wagon Wheels (1934)--***1/2--fast paced western with Randolph Scott in top form leading the wagon train, with fun, if out of place, musical inserts.
Small Town Girl (1953)--***--tepid love story buoyed by musical turns by Ann Miller, Bobby Van, and Nat King Cole in support.
Land of the Minotaur (1976)--*--Dull devil cult flick, even with Donald Pleasance and Peter Cushing starring.
The Creeping Terror (1964)--**+--Poorly made movie with tacky "monster" somehow comes across as endearing.  Lots of gals get swallowed headfirst, I noticed.
You're Find Out (1940)--***--With Lorre, Karloff, and Lugosi, I wanted to like it more.  Some good music, and the three horror stars were good, but Kyser was just not funny for me.
Mad Love (1935)--*****
Mark of the Vampire (1935)--****--Lugosi, Borland, and loads of atmosphere make up for contrived plot.
Doctor X (1932)--***1/2--Atmosphere and general ghoulishness make up for shaky script.
The Spy Who Loved Me (1977)--***--Jaws is fun, the rest so-so.
The Three Musketeers (2011)--**1/2--CGI fest supposedly based on Dumas.  History & lit classics dumped into the same trashcan.  Impressive sets & costumes, though.
Shreik of the Sasquatch (2011)--*--harmless, cheap, and zzzzzz
J Edgar (2011)--****
Hugo (2011)--****
Lillian Russell (1940)--**1/2--Alice Faye makes a good lead, and I like her singing, but otherwise the movie drags.
Calamity Jane (1953)--****1/2--fun performance by Doris Day in the lead, plus some champ songs, make for a fine show.
The Rare Breed (1966)--**1/2--dull plot partially saved by James Stewart, Maureen O'Hara, and Brian Keith.
My Week with Marilyn (2011)--***1/2--actors lacked charisma of originals.  Interesting, but nothing special.
San Francisco (1936)--*****
In Old Chicago (1937)--****1/2
Son of Frankenstein (1939)--****1/2--not quite up to first two, due to script problems, but still plenty good.
Ghost of Frankenstein (1942)--**1/2
Pittsburgh (1942)--**--Marlene Dietrich, Randolph Scott, & John Wayne in a dull rise and fall of a heel story.  Wayne is the heel, described as "rude, crude, and a bore," and the Duke gives a most convincing performance.
Frankenstein Meets the Wolf Man (1943)--****
Babes in Arms (1939)--***
Girl Crazy (1943)--***--best Mickey/Judy movie, with Judy handling most of the singing of a fine score.
Hoosiers (1986)--****1/2--feel good movie is totally predictable, but gets to you.  Very well-acted by the stars, although some of the teenaged players appeared about thirty.  Helps that the basic story is true.  
Swan Lake (1957)--****--(***** on historical merit)--filmed record of a Bolshoi performance.  Only 80 minutes, with plenty of audience shots, but music and the exquisite Maya Plisetskaya are sublime.
Love Me or Leave Me (1955)--****1/2--Doris Day in her best role, James Cagney in his best role in the fifties, and a wonderful roaring '20's score, in a gritty, but lavish, biog of Ruth Etting.
The Helen Morgan Story (1957)--**1/2
The Pit and the Pendulum (1961)--***1/2
Last Train From Gun Hill (1959)--****
The Iron Lady (2011)--***--botched biog of Margaret Thatcher with Meryl Streep good, but focus on old-age dementia rather than career sinks film.
Otello (1992)--*****--I prefer Verdi's opera to Shakespeare's original.  The same drama with great music.  This is a wonderful version with Placido Domingo in his career role as Otello, Kiri Te Kanawa in gorgeous voice as Desdemona, and Sergei Leiferkus as the all-time most slimy Iago.  Filmed live performance at Covent Garden.
Westward the Women (1951)--****1/2
It Started in Las Vegas (1956)--***--trite plot lifted by some good musical numbers.
Holt of the Secret Service (1941)--***1/2--serial has a great hero in Jack Holt with an equally good heroine in Evelyn Brent (although she has little to do), but a confused plot and dull head villains pull it down a bit.
Hopalong Cassidy Returns (1936)--***1/2--Slow moving but well acted Hoppy film with Evelyn Brent and Morris Ankrum interesting villains.
The Merry Widow (1925)--*****--Von Stroheim in top bizarro form, with first-rate star turns from Mae Murray and John Gilbert.
Having never see a Esther Williams flick, I bought a on-sale set from Sam's Club and got my intro
Thrill of a Romance (1945)--**1/2--Dull romance between Esther & Van Johnson, given a lift for me by appearance of the great heldentenor Lauritz Melchior, who was fun in this film.
Fiesta (1947)--**--Esther hardly swims, and subbing for twin brother (!) Ricardo Montalban in the bullring with no one noticing she is a girl is, well, unconvincing.
This Time for Keeps (1948)--*--Esther hits rock bottom with Johnnie Johnston (?) as her leading man
Pagan Love Song (1950)--**1/2--Esther and Howard Keel in Tahiti (actually filmed in Hawaii).  Music so-so, but Esther has a lush swinning scene.  She was a gorgeous lady.
Million Dollar Mermaid (1952)--***1/2--biog of Annette Kellerman is best of this set, with some drama, and several Busby Berkeley aqua-ballets.
Easy to Love (1953)--***--more dull romance with Van, but Busby stages a really big aqua-ballet and Esther does a funny clown in the water act.  
Gigi (1958)--*****--don't understand why this charming film has so many critics.
Breakfast at Tiffany's (1961)--***--I had never seen this one.  Gets my vote as the most overrated "classic." 
The Bible . . . in the Beginning (1966)--**--John Huston directed this!?  Dull.  Read the book instead.
The Last Days of Pompeii (1959)--**1/2--Despite Steve Reeves & Sergio Leone, rather dull until Vesuvius blows its top.  Okay, no more.
The Prodigal (1955)--**--lavish, but dull and mean-spirited religious epic with Lana Turner in scanties as the bad high priestess.
The Bounty (1984)--***1/2--drags a bit, but okay rendition of the famous mutiny with Bligh sympathetic but still a bad commander (in my judgement)
The Black Lancers (1962)--***--pretty good mid-budget historical epic.  Plenty of action, good productions values, and fun villains make up for a dull Mel Ferrer in the lead.  The big battle scene lasts twenty minutes.
Sabrina (1995)--****--remake is fleshed out and more sincere, but misses Audrey's charm.
G-Men Never Forget (1948)--****--above average Republic serial with Clayton Moore and Roy Barcroft in top form as hero and villain.  Unusual mostly straight gangster story.
An Affair to Remember (1957)--**1/2--I must be the wrong gender.  Ordinary tearjerker to me.
The Godfather (1972)--****1/2--Might deserve a full *****, but I knocked it down a half point because it seemed slow and padded rewatching it.  I hadn't seen it in 25 years or so, and it sure didn't live up to memory.  I might be getting old, but I didn't care for the point of view either.  Brando was great, though.
Goodfellas (1990)--barf--A review I read summed this one up better than I could--"So much time, money, and effort to produce such an unpleasant film.  Lord knows it's not that everyone need be Pollyanna.  We all are aware how truly wretched life can be, but why spend time watching loathsome, worthless characters act out pointless violence?  There just has to be a better way of spending our time.  Yup, we are base animals, as Scorcese incessantly likes to remind us in this and his other films.  Thank you!  We get the idea!  However, why not take all that talent and time and produce something that uplifts the human spirit rather than denigrates it."
The Man Who Shot Liberty Valance (1962)--*****
The Conqueror (1956)--*--John Wayne as Genghis Khan.  Awful, but too dull to be campy fun.  Despite budget, it looked cheap to me.
Reflections in a Golden Eye (1967)--***+--so over-the-top it often seems a freak show, but fascinating, and bold for its day with a great Brando performance.
Constantine and the Cross (1961)--**1/2--not bad when it sticks to the rise of Constantine, but pulled down by tedious Romeo and Juliet subplot.  Good production values.
Godfather II (1974)--***
Godfather III (1990)--***1/2
The Artist (2011)--*****
The Egg and I (1947)--**1/2--obvious inspiration for Green Acres, and Ma & Pa Kettle's debut.  Marginal comedy.
Proud Men (1987)--***
Julius Caesar (1953)--****--great lead performances, esp Brando, but play is poorly edited.
Julius Caesar (1970)--*****--despite sleepy performance by Robards as Brutus, excellently done.
Ben-Hur (1959)--****--really drags for me with the chariot race lone excitement
Superman (1948)--****--cheap animation for flying, and by the numbers plot, but main cast if solid and it whizzes by.  Fun to watch.  Kirk Alyn's goofy take on Superman grew on me this time.
Mrs Miniver (1942)--*****--"class" WWII film makes the case for the war effort better than any I have seen, even Casablanca.
Now, Voyager (1942)--***--Bette is good, but plot often too melodramatic for me, with Paul Henreid way too suave for his character, in my judgement.
Romance on the High Seas (1948)--**1/2
The Phantom Rider (1936)--***--okay Buck Jones serial hurt by very weak ending.
The Masked Marvel (1943)--****1/2--top flight Republic
Son of Zorro (1947)--***
Jungle Drums of Africa (1953)--**--okay late Republic thanks to good use of animal stock footage.
Daredevils of the Red Circle (1939)--*****--this serial is so good I watched all 12 chapters in one sitting.  Sorry, Gravy, but I couldn't help myself.
Tarzan and the Leopard Woman (1946)--***1/2--campy fun is best of RKO Tarzans, with Tarz the henpecked hubby of Jane, and off-the-wall plot.
Tarzan and the Amazons (1945)--**1/2--not as much campy fun as the title promises.
The Searchers (1956)--*****
Manhunt on Mystery Island (1945)--***
Charlie Chan's Secret (1936)--***--Okay Chan, but I missed #1 son.
Ziegfeld Girl (1941)--****--MGM glittermonster is campy fun with Lana Turner stealing show in elevator operator to penthouse to gutter morality tale.
The Painted Stallion (1937)--****--appealing old-fashioned Republic western serial featuring Hoot Gibson in best talkie role.
The Big Store (1941)--***1/2--I found this much better than rep
Tarzan the Ape Man (1932)--****1/2
Tarzan and His Mate (1934)--*****
Scaramouche (1952)--****1/2
Mysterious Dr Satan (1940)--****1/2
Law and Order (1932)--****1/2--gritty, grim old western is a must for oater fans
Fighting Devil Dogs (1938)--****1/2--typically great Republic serial with one of the best villains of all.
Among Vultures (1964)--**--(YT)--poorly dubbed Karl May western with Stewart Granger and Elke Sommer.  Beautiful widescreen print.  This film seemed a throwback to the 1930's.
Gabriel Over the White House (1933)--***1/2 (historical value *****)--(YT) political hack president has near-death experience and then becomes dictator, which the film approves.  One of a kind and certainly fascinating with Walter Huston as the president.
Injun Talk (1946)--***1/2--(historical-cultural value *****)--(YT) 30 minute Standard Oil film in technicolor which presents an introduction to Plains Indian sign language.  It certainly sounds like an unbilled Ronald Colman doing the narration.  Tim McCoy does a smooth job of translating.  It is fascinating to see an old chief present the traditional tale of how the Blackfeet and Blood tribes got their names in elegant sign language.
Run of the Arrow (1957)--****--(YT) interesting viewpoint, but often weakened by weird casting, including Rod Steiger as an Irish southerner.
On an Island With You (1948)--**1/2--stalker Peter Lawford kidnaps movie star Esther Williams and whisks her off to deserted isle.  Romance ensues.  Dated and bizarre, to say the least.
Neptune's Daughter (1949)--***1/2--best Esther film I have seen thanks to good comedy from Red Skelton and Betty Garrett, and a suave Ricardo Montalban as Esther's leading man.
Spoilers of the West (1927)--****--Tim McCoy fights to prevent war as Red Cloud and General Sherman bicker over the Fort Laramie Treaty of 1868.  Solid, realistic western filmed on location at the Wind River Indian Reservation in Wyoming.
The Red Raiders (1927)--***1/2--Cliched as they come Ken Maynard western, but done on a large scale and physically authentic-filmed at the Crow Reservation in Montana-bad young chief takes control of tribe and leads attack on fort where junior officer Maynard and the fort commander are rivals for the same sweet young thing heroine.  Chief Yowlachie is a standout as the war-loving Young Wolf.
Bathing Beauty (1944)--****--paper thin plot ties together funny Red Skelton slapstick, an Esther Williams aqua-ballet, and tons of good music--Harry James, Helen Forrest, Xavier Cugat, Lina Romay, Ethel Smith, Janis Paige, etc
The Hard Hombre (1931--**1/2--primitive Hoot Gibson comedy western.  Despite stiff filming and some poor acting, works for me because Gibson is good playing against the usual macho cowboy stereotype.
Just Tony (1922)--**1/2--Tom Mix tames wild horse Tony.  Okay family film.
The Great Adventures of Wild Bill Hickock (1938)--***1/2--odd mix of violent action and kid hero worship.  Weak ending.
Hawk of the Wilderness (1938)--****--typically good Republic serial pulled down for me by awful comic relief.
The Big House (1930)--****1/2--antique prison yarn still packs punch, with top turns by Beery and Montgomery.
Show People (1928)--****1/2--Hollywood pokes fun at itself with Marion Davies in top form as a swell-headed star and William Haines the regular guy who loves her and saves her from her pretensions.  All sorts of fun cameos--the best of which is by the "real" Marion Davies.
Kid Galahad (1962)--**1/2--Elvis boxes to fulfill dream of owning filling station.  Cliched as they come, but well-acted.  Let down by poor songs.
Ridin' the Cherokee Trail (1941)--**1/2--okay Tex Ritter oater.
Marked for Murder (1945)--**--below average Tex Ritter-Tex O'Brien oater.
The Magician (1926)--****
White Shadows in the South Seas (1928)--*****
Custer's Last Fight (1912-1925)--****+--Unique movie.  First made as a two-reeler by Thomas Ince in 1912, with Francis Ford starring as Custer and directing.  Expanded to five reels (53 minutes on my DVD) in 1925 for re-release in 1926 on the 50th anniversary of the Battle of the Little Big Horn.  Surprisingly good.  The intertitles trash Sitting Bull and the Lakotas at times, but there is a real effort to be accurate and the images tell a different story as Custer leads a sneak attack on an unsuspecting village.  The most stirring scene (unintended, I think) is of the terrified Lakota women and children cheering wildly when Chiefs Gall and Crazy Horse ride out with the braves to defend the village.  As history, showing both the battle, and how America felt about Custer and the massacre in 1912 or 1925, this movie is fascinating.
With Sitting Bull at the Spirit Lake Massacre (1927)--**1/2--except Sitting Bull had nothing to do with it.  Historically worthless, but watchable as escapism.
El Vampiro (1957)--*****--solid, atmospheric Mexi horror flick with a top fangster in German Robles in the lead.
Curse of the Werewolf (1961)--***1/2
Canyon of Missing Men (1930)--*--silent Tom Tyler western is poor, though Tyler was a very impressive physical speciman at this time.
The Apache Kid's Escape (1930)--*--primitive early western talkie with Jack Perrin is poor.
Aida (1966)--*****--Italian TV tape of 1966 performance of Aida at the old Roman Arena de Verona, built in 30 AD (it's mind-boggling that this outdoor theatre goes back to when Jesus was walking the Earth).  With a cast of thousands, and the Kirov Ballet doing the ballet segment, this spectacle combines the wet-dreams of Cecil B DeMille and Busby Berkeley.  The singing was fantastic, with the great Turkish prima donna assoluta Leyla Gencer in the title role, and FIorenza Cossotto as Amneris.  The plump Carlo Bergonzi makes a dorky Radames, but sings gloriously.  In black and white, but a must for opera fans.  
The Dead Eyes of London (1961)--***
The Iron Horse (1924)--***1/2--John Ford epic on the building of the transcontinenetal railroad already shows most of his strengths as a director, but also his weaknesses, with excessive knockaabout antics and a tendency to use uninteresting and cliched plots.  This one has the hero searching for the renegade who murdered his father, who also now happens to be a big shot fighting the railroad--a twist straight out of B melodramas.  After a slow 100 minutes, the final 40 minutes or so are large scale and striking, with the usual mass Indian attack, well mounted and directed in this one.  George O'Brien makes a strong hero and is the standout in the cast.
Werewolf vs the Vampire Woman (1970)--***1/2--The best Paul Naschy werewolf flick with Patty Shepard an effective vampiress.
Five Bloody Graves (1969)--**
Legacy of Blood (1971)--*
The Phantom Creeps (1939)--**1/2--I found this feature version of this serial surprisingly entertaining with Bela in top form.
The Monster Walks (1932)--**1/2
The Ghost (1963)--***1/2--Barbara Steele and the elegant direction of Riccardo Freda put over a cliched plot
Teenage Monster (1957)--**+--so bad it's fun cheapie about Mom hiding monster son in upstairs bedroom.
The Viking (1928)--***+--(YT)--a technicolor silent.  Okay adventure of Leif Ericsson discovering America with Pauline Starke as a Xena style Valkyrie in low-cut body armour and a winged helmet who takes her whip to the hero.  Impressive color for the time with Wagner on the soundtrack.
Hell Bent for Leather (1960)--***--(YT)--Okay Audie Murphy western.
City That Never Sleeps (1953)--***1/2
Fort Worth (1951)--**--I found this below average for a Randolph Scott western.
Charlie Chan at the Circus (1936)--****--one of the best Chans
Phantom Planet (1961)--*
Libeled Lady (1936)--*****--top of the line 1930's screwball comedy with out of this world cast.
Easy to Wed (1946)--***--same script as above but ordinary--shows the importance of actors in comedies.
The Whistler (1944)--****--solid B noir of man hiring hitman to kill himself, although the ending was contrived.
Secret of the Whistler (1946)--***--predictable, but fun seeing Richard Dix's nasty character justify his creepy behavior to his dying wife.
Stalin (1992)--****--very well made with Robert Duvall excellent as Stalin, but by nature this look at a paranoid, brutal, and bigoted dictator is a downer. 
The 7th Voyage of Sinbad (1958)--****1/2 
Night Monster (1942)--***1/2--atmosphere and acting cover plot holes in fun Uni B
Where Eagles Dare (1969)--**** (fun factor *****)--A real fun action flick with the great team of Burton and Eastwood.  The convoluted spy aspect was fun, but the action did go so far over the top it sometimes became silly.  A great popcorn flick, though.  Nice to see Anton Diffring, Ingrid Pitt, and Ferdy Mayne in straight roles.
Custer's Last Stand (1936)--**--dull serial which lacks the production values for this topic
Midway (1976)--****--well-done.  Should be nirvana for military history buffs.
Nothing Sacred (1937)--****--good, but not top-line screwball farce for me.  The script boxed itself in, so the resolution was weak.  The cynical satire of the media still holds up.
The Expendables 2 (2012)--***1/2--so over-the-top it makes Where Eagles Dare look restrained.  Fun, though, with all the old geezer action stars.  Great popcorn flick.
The Chinese Cat (1944)--**--below average Chan
Castle in the Desert (1942)-***--okay Chan
Horror Island (1941)--**--slick but below average Uni old dark house mystery
Solyent Green (1973)--***
Fighting with Kit Carson (1933)--**1/2--good cast, weak plot in okay serial
The Other Love (1947)--**--great cast-Stanwyck, Niven, Richard Conte, Gilbert Roland-in flop tearjerker of dying woman involved with three last ditch love affairs.  Babs is dying of consumption, but nothing is allowed to mar her movie star glamour as she probably looks better than in any other flick, which completely sinks the premise.  Doc David Niven has to constantly explain that even at death's door she can still be the picture of health and sexiness.
A Message to Garcia (1936)--**1/2--ordinary action flick with a hammy Wally Beery, and Barbara Stanwyck doing her version of a Spanish accent as a Cuban patriot.
Meet John Doe (1941)--****--wonderfully made, but Capra was better at the human and community subjects than with big political thinking.
Executive Suite (1954)--****--terrific cast.  Fredric March is a standout, but Barbara Stanwyck is stuck in a weeping woman subplot which mars the overall effect.  Great when it sticks to boardroom backstabbing.
Please Don't Eat the Daisies (1960)--**1/2
The Crowd--(1928)--*****
Overland With Kit Carson (1939)--****--solid Wm Elliott serial hurt by several poor cliffhangers.
Jungle Girl--(1941)--****1/2
Escape From Fort Bravo (1953)--***1/2
The Law and Jake Wade (1958)--****
That Midnight Kiss (1949)--***--okay musical with Mario Lanza debuting.  Lanza is winning as a singing truckdriver-and what a voice.
Iron Sky (2012)--**
Tentacles (1977)--*--really dull giant octopus on a killing spree movie despite a top cast and good underwater photography.  Henry Fonda toplines this one.  Henry seems to have taken a page out of the book of his old Jesse James costar, John Carradine, with this "just grab the check" performance.
Empire of the Ants (1977)--**+--awful giant ant movie with sometimes okay and sometimes risibly hokey special effects.  Joan Collins toplines in her stock Alexis role of a crooked real estate tycoon and is much more fun than Fonda in the above.  This does have an it's so bad it is kind of fun to watch vibe.
It Happened on 5th Avenue (1947)--****1/2--has become one of my X-mas perennials.  Eccentric Victor Moore brings the spirit of Christmas to a screwed-up wealthy family.  Moore is sort of an "angel" without being a real angel.  If you like Miracle on 34th Street or It's a Wonderful Life, I recommend checking this one out also.
The Bounty Man (1972)--***--cliched made-for-tv western gets by on excellent cast, with Clint Walker the hardcase title character and Margot Kidder the stereotyped love interest.
Yuma (1971)--***1/2--made for tv oater with Clint Walker.  Better plot than above.  Walker always made a strong lead in westerns.
Tarzan's New York Adventure (1942)--****--out of the rut Tarzan flick is good fun.


Summation--best old classic-------Mrs Miniver--I thought this was much better than I expected.  It gave a thoughtful justification, without rah-rah politics, for standing up to Hitler while admitting the good guys had their faults.

Most disappointing old classic-----Breakfast at Tiffany's--didn't do it for me, and not helped by a really embarressing stereotyped performance by Mickey Rooney.

Best new film--The Artist

Top barf--I guess the wonderfully made but for me utterly repulsive Goodfellas