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Jul 13 10 12:27 PM
Jul 13 10 1:44 PM
Wich2 wrote:Well, seeing your Matinee Vamp walking around haired up like he was in APE MAN, on Broadway, is very different than a cutaway to a shaggy shepard running across a night lawn set, in the film...
Jul 13 10 1:48 PM
Wich2 wrote: "The same can go for several other examples armchair film-makers come up with after the fact."Is the insult really called for, Sid? Aren't we all, in most of the posts at most of the boatds like this, doing just what you describe?Craig,I'm really disappointed that you took that as an insult of some kind. It wasn't meant that way and was not directed at anyone in particular. Just being matter of fact. Apologies if you took that wrong. "Looking at it now, we can say "Of course he's a vampire, he's Count Dracula fer crissakes!", back in 1931 for Dracula's first outing, it was more ambiguous."And I respectfully call "baloney" on that, Sid. BEFORE the cheap cheats I'm talking about, we've seen Drac walk through a cobweb w/o breaking it, salivate over Renfield's cut, watched his brides attack, and seen him bite the girl in London. We know what he is; it hasn't been brilliantly hidden from us by staggeringly complex artfullness.The cobweb scene and a lot of other bits may be examples of "wow, isn't that weird?" or "Wait a sec, did that just happen?" but no real comment is made about it. Renfield just kind of shrugs it off like hmmm and brushes the web out of the way with his walking stick. Dracula gets weird when Renfield gets cut, and Renfield notices this to be sure, but misreads it and calmly assures him it is alright that it is just a small cut. We never see the extent of any of the attacks either. No one is sucking on anyones neck, fangs are never shown, no one is licking the blood from their lips, no one gets bit. The Count goes in for the flower girl, but the actual bite / attack happens when they step behind a pillar or something. Blood loss, anemia, and bite marks are talked about after the fact, but what are they all leading up to? We are given little bits of information and eye witness reports of events, but it is still ambiguous and we are given a chance to make up our own mind what it all means. What I'm saying is we are never directly spoon fed the information, and that is a part of the way the film is crafted. We aren't REALLY given anything solid to hang our hat on until Van Helsing notices Dracula has no reflection in te mirror of the cigarette box... And that fact is then hammered home in about four separate shots in succession, to make sure we get it now. That is when the tone of the film changes and we know for sure what Dracula is.
Jul 13 10 2:01 PM
"Carl," I don't think I've ever read anyone on this board say that the film has no merit! I have read many (most?) folks listing its flaws as well its strengths. Honesty is good. -Craig
Jul 13 10 2:09 PM
TomWeaver999 wrote: "Holy horror-movie-history beginners' class." "So (obviously) not a soul was meant to go into DRACULA wondering, "Is this guy gonna turn out to be a vampire?" and still not know for sure when the picture was half-over. How inane."
Jul 13 10 2:11 PM
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Jul 13 10 2:30 PM
Sid Terror wrote:Don't you also think it was by design that Browning was the one who directed DRACULA, after his history making that film with the cheater ending in 1927? Ol' Tod wanted to DELIVER this time, but lead some folks to believe that maybe he wasn't going to deliver.
Jul 13 10 2:31 PM
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Jul 13 10 3:49 PM
TomWeaver999 wrote: Let's get back to talking about something sensible, eh guys?
Links To All The Classic Monster Stills I've Posted: http://monsterkidclassichorrorforum.yuku.com/topic/30758
Jul 13 10 3:56 PM
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