The most thoroughly enjoyble of all of Harryhausen's films for me. From the lovely Kathryn Grant, to the great villainy of Torin Thatcher, this movie rocks! The icing on the cake is Bernard Herrmann's score, which is rich, dramatic and hauntingly beautiful. This is my favorite of the Sinbads. Where does it rank with you, either on the Sinbad film level or as a Harryhausen vehicle?