John P. Fulton in Men Behind the Monsters Forum

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John P. Fulton

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Oldnewbie	John P. Fulton	Lead	[-]
Jan 13 09 2:03 PM Reply Quote More My Recent Posts	John P. Fulton was essential to the Universal monster movies. His incredible work on "The Invisible Man" alone deserved an Oscar! I do believe he eventually got recognition through "The Ten Commandments" but does anyone know of any other award nods he got in his life time? Thanks!
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Aupperle		#1	[-]
Jan 13 09 7:26 PM Reply Quote More My Recent Posts	Oldnewbie wrote: John P. Fulton was essential to the Universal monster movies. His incredible work on "The Invisible Man" alone deserved an Oscar! I do believe he eventually got recognition through "The Ten Commandments" but does anyone know of any other award nods he got in his life time? Thanks! John Fulton also won the Best Special Effects Oscar for WONDER MAN (released in 1945). Danny Kaye played twins in this film and one is a ghost. I don't recall seeing this released on DVD though there was a laser disc many years ago. The optical effects are outstanding and were mostly accomplished with some very clever split screen work. It's a very funny film and I place it up there with THE COURT JESTER as my two favorite Danny Kaye movies. Worth tracking down if you get the chance. The imdb.com also lists Fulton as nominated for THE INVISIBLE MAN RETURNS, THE INVISIBLE AGENT, THE INVISIBLE WOMAN and THE BOYS FROM SYRACUSE. Does anyone know if John P. Fulton ever worked on the same film with his father, matte artist Fitch Fulton? http://images.google.com/hosted/life and Search LIFE images John Fulton Jim Aupperle Last Edited By: Aupperle Jan 13 09 8:25 PM. Edited 7 times.
Bill Warren		#2	[-]
Jan 13 09 8:55 PM Reply Quote More My Recent Posts	IMBd's "People Working Together" search function says there do not seem to be any films which credit both Fitch and John P. Fulton--but then again, their careers were mostly well before effects workers received credit very often.
TomWeaver999		#3	[-]
Jan 13 09 10:36 PM Reply Quote More My Recent Posts	John Fulton wasn't often uncredited; I guess he was sufficiently important at Universal that he got credit on nearly all his pics. From my interview with his daughter Joanne: << Dad's being nominated for TULSA created an intra-family problem, because the special effects guys who had done MIGHTY JOE YOUNG, including Grandpa [matte painter Fitch Fulton], were up for an Oscar also. MIGHTY JOE YOUNG was I believe the only movie with my grandfather's name listed in the screen credits and the two pictures were up against each other, MIGHTY JOE YOUNG vs. Tulsa, father vs. son. Not good! Apparently RKO loaded on the publicity for MIGHTY JOE YOUNG--in those days, publicity did have some effect. RKO went hog wild publicizing it and making sure Academy members went to see it and all that business, whereas [Eagle-Lion] didn't do much with TULSA in terms of the Academy Awards. MIGHTY JOE YOUNG won and Dad didn't. Not a good event in the Fulton family! There was a little bit of a "family thing" over that, but it didn't last long. Well, Dad felt--and I think rightly so--that the trick work in TULSA was much better than in MIGHTY JOE YOUNG. It was so strange: In 1946 Dad couldn't be bothered to go to the Oscars, he just wasn't interested, but then in 1950 he was put-out about his own father winning. To put it mildly, Dad was an extremely complicated person--I think every man and woman who ever worked with him would tell you that. <
Aupperle		#4	[-]
Jan 14 09 11:31 AM Reply Quote More My Recent Posts	Tom, Thanks so much for that fascinating quote from John Fulton's daughter about her father and grandfather. I never saw TULSA and didn't realize that the Fultons both had films nominated in the same year so now I must try to find a copy of that movie. I think I saw somewhere else on this board that you wrote an article on John Fulton but I forgot to make a note of the magazine, could you remind me of the issue I should be looking for? Besides MIGHTY JOE YOUNG it seems that Fitch Fulton worked on GONE WITH THE WIND and CITIZEN KANE which is an impressive if rather short list. Any idea of further unlisted credits for the man? thanks, Jim Aupperle
TomWeaver999		#5	[-]
Jan 14 09 1:12 PM Reply Quote More My Recent Posts	My interview with Joanne Fulton, which features a lot of photos from John P.'s now-burned-and-gone scrapbooks, was in MONSTERS FROM THE VAULT #24, which you can order from CHFBer Jim Clatterbaugh (see the HORROR MAGS thread). An article that might be of even greater interest to you is MAKING MIRACLES THE HARD WAY: JOHN P. FULTON, ASC which ran in the December 1983 AMERICAN CINEMATOGRAPHER. If you don't have that issue/can't get at a copy, e-mail me and I'll Xerox it for ya.
Oldnewbie		#6	[-]
Jan 14 09 9:23 PM Reply Quote More My Recent Posts	Thanks for all the great info! I am glad he was not just toiling away in his workshop while others got the kudos!
Aupperle		#7	[-]
Jan 15 09 10:57 AM Reply Quote More My Recent Posts	TomWeaver999 wrote: My interview with Joanne Fulton, which features a lot of photos from John P.'s now-burned-and-gone scrapbooks, was in MONSTERS FROM THE VAULT #24, which you can order from CHFBer Jim Clatterbaugh (see the HORROR MAGS thread). An article that might be of even greater interest to you is MAKING MIRACLES THE HARD WAY: JOHN P. FULTON, ASC which ran in the December 1983 AMERICAN CINEMATOGRAPHER. If you don't have that issue/can't get at a copy, e-mail me and I'll Xerox it for ya. Tom, I must order a copy of that MONSTERS FROM THE VAULT with your John Fulton article. I think I might have that issue of AMERICAN CINEMATOGRAPHER but unfortunately most of that stuff is in storage and difficult to access (ah, the life of an itinerant film worker). Thanks very much for the information on that back issue and for the Xerox offer. best wishes, Jim Aupperle
Wich2		#8	[-]
Jan 15 09 2:42 PM Reply Quote More My Recent Posts	Read Tom's VAULT piece on La Familia Fulton. Very well done - and MAN! - talk about yer internecine dysfunction!!!
TomWeaver999		#9	[-]
Jan 15 09 3:24 PM Reply Quote More My Recent Posts	Fulton is a guy whose career goes back so far (silent days) that it's easy to forget that he wasn't an old man when he died; if he'd lived to a ripe old age, he coulda (and probably woulda) been invited to '80s and '90s horrorcons. When these guys die (relatively) young, I often find myself ass-u-me-ing that they COULDN'T have lived into our lifetimes ... but they sure could have. tom "In the next MONSTER TIMES ... Lon Chaney Recalls THE HUNCHBACK OF NOTRE DAME!"
thehorrorboy		#10	[-]
Jan 15 09 4:03 PM Reply Quote More My Recent Posts	Lon Chaney Jr. on his entire career: "Gimmeannuderdrink, kid!"
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Aupperle		#11	[-]
Jan 15 09 5:32 PM Reply Quote More My Recent Posts	I see according to John Fulton's IMDb Mini Biography by Tom Weaver that Fulton also won an Oscar for the effects in THE BRIDGES AT TOKO-RI, bringing his total of wins to three (along with WONDER MAN and THE TEN COMMANDMENTS). Jim Aupperle
M F Berry		#12	[-]
Jan 15 09 6:23 PM Reply Quote More My Recent Posts	I often find myself ass-u-me-ing that they COULDN'T have lived into our lifetimes ... but they sure could have. Right-o, Tom, and Exhibit A: Harry Redmond, Jr. By the way, I loved your interview with Joanne Fulton in MFTV ... absolutely fascinating, on more than one level!
Rakshasa		#13	[-]
May 27 10 8:21 AM Reply Quote More My Recent Posts	Links To All The Classic Monster Stills I've Posted: http://monsterkidclassichorrorforum.yuku.com/topic/30758 Last Edited By: Rakshasa Jul 22 10 8:04 PM. Edited 1 times.
Buzz Dixon		#14	[-]
May 27 10 1:00 PM Reply Quote More My Recent Posts	Rakshasa wrote: I know elsewhere we've commented on how cool the SPFX techs on WHEN WORLDS COLLIDE looked but this, this is just plain overdressed... www.SnokieStories.com www.BuzzDixon.com http://twitter.com/snokiestories
ryanbrennan		#15	[-]
May 28 10 4:56 PM Reply Quote More My Recent Posts	I've got TULSA and the effects, in color, are quite good. But next to MIGHTY JOE YOUNG? Maybe Fulton thought that the best effects were the most realistic? In that case TULSA would outshine JOE. There's one heckuva oil well field fire. But it's a set piece whereas JOE is an efx showcase.
acker j forestman		#16	[-]
May 28 10 7:36 PM Reply Quote More My Recent Posts	Some of the burning oil derrick shots from TULSA show up as color stock shots in WHEN WORLDS COLLIDE. Fulton's daughter may have thought that MIGHT JOE YOUNG was just another gorilla suit movie, inferior to her father's Technicolor effects in TULSA (not to mention family loyalty). Similarly, actress Faith Domergue thought that Harryhausen's visual effects in IT CAME FROM BENEATH THE SEA were inferior to those in the bigger-budgeted Technicolor production THIS ISLAND EARTH.
horrorfilmx		#17	[-]
Jun 9 10 12:26 PM Reply Quote More My Recent Posts	Rakshasa wrote: I've got to say, that is one hell of a picture.
Rakshasa		#18	[-]
Jun 9 10 12:44 PM Reply Quote More My Recent Posts	Yeah, that's cool, isn't it? I love seeing realistic miniatures suddenly put to scale by their relation to something familiar (like a person). Links To All The Classic Monster Stills I've Posted: http://monsterkidclassichorrorforum.yuku.com/topic/30758
Ted Newsom		#19	[-]
Jun 9 10 1:19 PM Reply Quote More My Recent Posts	Is that what it is? I thought it was a candid shot from "Colossal Man Vs. The Pirates" (AIP, 1959)
Rakshasa		#20	[-]
Jun 9 10 3:32 PM Reply Quote More My Recent Posts	The Gorton's Fisherman Behemoth Conquers The Pirates? Links To All The Classic Monster Stills I've Posted: http://monsterkidclassichorrorforum.yuku.com/topic/30758
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John P. Fulton

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