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Plagiarism uncovered
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Re: Plagiarism uncovered
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udar55
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Jul 21 13 9:50 PM
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For anyone wondering just how long this has been going on, she posted an essay on her site in 2010 she said she wrote in 2006 (meaning while she was in college) and it was rife with stolen material. Her essay "Real American Horror: The Family Falls Apart in Tobe Hooper's THE FUNHOUSE and THE TEXAS CHAINSAW MASSACRE" lifts huge sections from Bradley P. Guillory's "Stained Lens: Style as Cultural Signifier in Seventies Horror Films." Examples below.
Her:
After he mentions that he was coming from the slaughterhouse, Franklin asks the Hitchhiker questions about the new methods of cattle slaughtering and mentions that his uncle used to work for the slaughterhouse; Franklin had also mentioned earlier in the film that he and Sally’s grandfather used to sell cattle to the slaughterhouse. The Hitchhiker says he doesn’t work at the slaughterhouse, but his whole family once worked there; he states, "My family has always been in meat." The Hitchhiker then comments about the new, inefficient method of killing cattle; he asserts that the cows die faster the old way, and the new way puts people—like the cannibal family—out of work. The Hitchhiker inexplicably grabs Franklin’s knife and begins to slowly slice into his own left palm. The group of young people are horrified. One cannot blame them for rejecting the Hitchhiker's invitation to eat dinner with his family; the Hitchhiker does bring this up again when Marilyn is caught by his brother. The Hitchhiker pulls the bag over her head and begins to laugh and poke at her as he yells, "I thought you were in a hurry?" Not accepting the Hitchhiker's invitation is an unhealthy addition to his family’s history of rejection. This is where Franklin becomes closer to the family because he has apparently also felt rejection because of his disability, for Franklin is very envious and angry when everyone giggles with excitement on the second floor of his grandfather’s abandoned house because no one offered to help him up the stairs. In observing this rejection of the cannibal family, one cannot help but wonder if all five of the young adults would have survived if they had simply agreed to dine with the Hitchhiker and his family.
Guillory:
After the Hitchhiker mentions he was coming from the slaughterhouse, Franklin asks the Hitchhiker questions about the new methods of cattle slaughtering and mentions that his uncle used to work for the slaughterhouse; Franklin mentions earlier in the film that he and Sally’s grandfather used to sell cattle to the slaughterhouse as well. These statements about Franklin and Sally’s family blur the lines between good and evil. Although the Hitchhiker and his family are repulsive and cannibalistic, it is only because their jobs and means of funding were ripped away from them and they have resulted to cannibalism as a result. Perhaps if Sally and Franklin’s family were unable to get jobs after the slaughterhouse, they would have met the same fate. The Hitchhiker says he does not work at the slaughterhouse, but his whole family once worked there. He then comments about the new, ineffiecent method of killing the cattle, he asserts that the cows die faster the old way, and the new way puts people (like his family) out of work. The Hitchhiker inexplicably grabs Franklin’s knife and begins to slowly slice into his own left palm. He is obviously insane. The Hitchhiker invites the teenagers to dinner at his house, and they refuse. Not accepting the Hitchhiker’s invitation is an unhealthy addition to his family’s history of rejection. In this sense, the character of Franklin becomes closer to the cannibal family because he also feels rejection throughout the film because of his disability. He often gets jealous, angry and frustrated at the others for not helping him or staying with him while he is stuck in a wheelchair. The character of Franklin and the cannibal family in relation to the definitions of normality and monster are almost reversed at certain times during the film.
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Welcome to the CHFB
Forum Guidelines
CHFB TURNS 20!
Rondo Hatton Classic Horror Awards
Universal Horrors
The Universal Monsters Blu-Ray Collection
Golden Age Horror
Kong - 8th Wonder of the World
Silent Horror
Poverty Row
The World of Sherlock Holmes
Murder and Mystery
Thrills and Chills
'50s Horror and Sci-Fi
'60s Horror and Sci-Fi
'70s Horror and Sci-Fi
Hammer Horror
The Psycho Ward
Foreign Horror
Japanese Giants
Horror and Sci-Fi of Recent Decades
Current Films
Second Takes on Films of the 2000s
Independent Films and Documentaries
Coming Soon
TV Terrors
Classic Horror on DVD, Blu-Ray and Streaming
Stream and Stream Again
Horror Film Books and Magazines
Horror by Candlelight
Horror Comics and Fantasy Art
Monster Toys and Collectibles
Classic Horror Movie Memorabilia
Horror Music
Old Time Radio and Audio Horror
Classic Horror Online
CHFB Member Reviews
Our Favorite Horror Hosts
Classic Disney Scares
Horror Film Stars
Men Behind the Monsters
Monster Kid Memories
General Horror and Sci-Fi
Horror Tech
Movie of the Day
Off Topic Discussions
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Monster Kids Helping Monster Kids
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