It really is a lovely likeness, Frank.

And speaking of lovely... what a performance Peel gives. There is a sense of smug superiority that runs through his entire role, underlying all the other changes the script requires him to do. This suits the part perfectly, a grown-up spoiled-rotten rich kid. Even in moments of supposed "softness," like approaching Marianne in his room when he's shackled, I feel like he's feigning emotion, being manipulative at all times. This guy is a self-centered, selfish, miserable little monster, for all the polite posturing and sweet-talking he does.

Given the calamitous and confusing rewrites, I don;t think it's because the part is especially well-written. It's Peel, under Fisher's direction, making something out of what on paper was probably a one-dimensional part.