If you look at those American International record label scans (of GHOST OF DRAGSTRIP HOLLOW), you'll note that the music publisher of those songs is Dijon Music. Dijon Music is the BMI publishing company for Sony pertaining to DRAGSTRIP HOLLOW (BMI is a performing rights organization, and you needed a BMI publishing company because Guy Hemric belonged to BMI). Sony now owns Dijon Music. Dijon Music is the specific Sony Music publishing company that owns the BMI writer contributions of "Save the Earth." Sony also owns the ASCAP publishing company pertaining to DRAGSTRIP HOLLOW (OPC Music Publishing), which owns the music/songs written for that film by Ronald Stein and Jim Gordon, who are both ASCAP writers.

Not being a fan of GODZILLA VS. THE SMOG MONSTER, in no small part to the awful music score, I haven't been able to sit through the picture enough times to recognize "Save The Earth," but Hemric, Manabe, and Adryan are, in addition to being credited with that song, also credited together as being the co-composers of "incidental music" from the picture. Was the melody used in "Save the Earth" also used in the orchestral part of the score? I'm trying to figure out if and why a lyricist would be credited with writing orchestral music. If words were added to music to create a "song," then the lyricist would likely be credited only when the "song version" played in the picture. However, if the "song" was written first, and the music from that song was later used as part of the background score, then even if only the music was used in that score, the lyricist would likely have received credit for the background score along with the composer.