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Jan 3 08 6:50 PM
TServo4 wrote: Platters are pretty much industry standard these days. Films are still shipped on reels and still have changeover cue marks on them (for a number of reasons), but the film gets assembled on one large platter. There are a number of problems with platter systems when it comes to treating film, though, and because of the stress they put on film, are the reason polyester stocks have become standard (as opposed to older Tri-acetate safety). I prefer and use two projectors, and it is archival practice to do so. You cannot book most repertory prints unless you run reel-to-reel.
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