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Aug 13 06 12:17 AM
Quote:As far as I'm concerned, my criteria centers directly on the quality of the music.
Quote:We're sorta in a circular argument/discussion here, because what you call the "Bond sound" and the "007" theme may not be what I call them. It's tough to do the dum-dum-da-da over the internet.
Quote:I don't know how you can defend these short little scores that really don't blossom fully.
Quote:I'm not sure what you mean about the Bond sound existing before the theme (whoever wrote it).
Quote:Barry's scores (the ones I've listened to, anyway) are short and lethargic by comparison, almost giving notice that he's whipping through the tracks just to get them finished.
Quote:Just listened to You Only Live Twice this afternoon. Not a very good score, despite having one of the better opening songs (that Barry recaps three times in an 11-track score). There is just a hint of the Bond theme at the beginning of one track, and then Barry diverts into something different. This score is worse than TLD or OHMSS. I'm reserving judgment on FRWL and Goldfinger until I can find and listen to the scores.
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