Quote:
. But it appears to me that he hasn't been true to those themes in the films I've listened to
.

Maybe he was trying deliberate variations to keep things fresh? I don't know. To date, Barry's contributions to Bond may be the most extensive interaction between a composer and film franchise in history. (And, until John Williams did STAR WARS, perhaps the most recognizable?) The first time I heard OHMSS, I was not as overwhelmed by it as I was GOLDFINGER, but over the years my appreciation for it has grown considerably. (I also like some of his non-Bond music, including his scores for THE DEEP and KING KONG.)

Speaking of GOLDFINGER, it's ironic in retrospect. In that film, Connery makes a passing remark about the necessity of ear muffs when listening to the Beatles. Then comes LIVE AND LET DIE, with theme song by...Paul McCartney.