Greetings to Classic Horror Lovers everywhere from Tim Hunt; Author of the Bride updating entitled Redheads and White Knuckles.
It begins like this: The talismanic lightning storm which injected her with Promethean Sparks has pased. Th explosion which capped her unveiling has
unleashed its fury. The Gothic tower she was created in lies in ruins around her. But the divine madness whch conceived of her still casts a spell upon us.
Death has spared the real woman made out of the dead.
My heroine, Ruby, has a riveting face all her own (No-She is not quite a doppelganger for Elsa) and was endowed with a perfect human brain by Dr. Pretorius. She gets discovered by a movie poster artist named Quentin: An eager and single father figure who escaped his one brush with fatherhood by persuading his bitter conquest to get an abortion. Ruby's
other two guiding lights are a pair of proud and caring redheads: Kim is a pagan glass artist and infamous woman who was once pronounced dead, came back, and uttered only White Knuckles. Laura is a tempestuous screnwriter woerking on a script about Lizzie Borden. Eight years ago, she escaped Kansas and fled to Boston to get an abortion and
start over in the city of her ancestors. Their passion for movies and abortions make she and Quentin feel so ironically deserving of becoming paternal figures to a woman made out of the dead.
Ruby grows mesmerized by food and movies. She aims to use her gift for cooking to someday become a chef. But like any woman made out of cadavers would be, she is concerned about her health. Undaunted by Dr. Frankenstein's initial refusal to create her, she befriends Kim's personal physician, Dr. Paul Ploughshare: A charming and insidious charlatan who mixes drinks for her insidse his home, drugs her, and takes photos of her remarkably scarred nude body. Ruby finds out. Thanks to fire and a Nefertiti head, she gets a sweet revenge on her scourge. She also discovers why she was allowed to escape into our world, and is introduced to a family line of redheads who need her to be their 21st century savior and standard bearer.
Redheads and White Knuckles is the first book of a trilogy in which Ruby will fall in love, undress and bare her scars for her first man, get her heart broken, become pregnant, win an Iron Chef competition, reveal the true nature of her being to stunned spectators, and give birth to a healthy baby.
Once again everyone, thanks for reading. One question I'll leave you all with-If Universal was to make a Bride remake of any kind, and showcase the Bride as we all know her, complete with her legendary hair, scintillating eyebrows, and body lined with scars, (As opposed to how Robert DeNiro appeared as the Monster in Mary Shelley's Frankenstein.)
who should play her? And would she have to be tall enough to at least appear as statuesque as the Bride did in the original? Any thoughts? Elsa was thirty two during filming ...
My heroine, Ruby, has a riveting face all her own (No-She is not quite a doppelganger for Elsa) and was endowed with a perfect human brain by Dr. Pretorius. She gets discovered by a movie poster artist named Quentin: An eager and single father figure who escaped his one brush with fatherhood by persuading his bitter conquest to get an abortion. Ruby's
other two guiding lights are a pair of proud and caring redheads: Kim is a pagan glass artist and infamous woman who was once pronounced dead, came back, and uttered only White Knuckles. Laura is a tempestuous screnwriter woerking on a script about Lizzie Borden. Eight years ago, she escaped Kansas and fled to Boston to get an abortion and
start over in the city of her ancestors. Their passion for movies and abortions make she and Quentin feel so ironically deserving of becoming paternal figures to a woman made out of the dead.
Ruby grows mesmerized by food and movies. She aims to use her gift for cooking to someday become a chef. But like any woman made out of cadavers would be, she is concerned about her health. Undaunted by Dr. Frankenstein's initial refusal to create her, she befriends Kim's personal physician, Dr. Paul Ploughshare: A charming and insidious charlatan who mixes drinks for her insidse his home, drugs her, and takes photos of her remarkably scarred nude body. Ruby finds out. Thanks to fire and a Nefertiti head, she gets a sweet revenge on her scourge. She also discovers why she was allowed to escape into our world, and is introduced to a family line of redheads who need her to be their 21st century savior and standard bearer.
Redheads and White Knuckles is the first book of a trilogy in which Ruby will fall in love, undress and bare her scars for her first man, get her heart broken, become pregnant, win an Iron Chef competition, reveal the true nature of her being to stunned spectators, and give birth to a healthy baby.
Once again everyone, thanks for reading. One question I'll leave you all with-If Universal was to make a Bride remake of any kind, and showcase the Bride as we all know her, complete with her legendary hair, scintillating eyebrows, and body lined with scars, (As opposed to how Robert DeNiro appeared as the Monster in Mary Shelley's Frankenstein.)
who should play her? And would she have to be tall enough to at least appear as statuesque as the Bride did in the original? Any thoughts? Elsa was thirty two during filming ...
