As a follow up question, what do you think the popular 1930s Universal horror movies, Dracula, Frankenstein, etc.. would have been like if tackled by other studios like MGM, RKO, or Warners?
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Mongo |
Could they have been Universals? |
Lead | |
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Which horror/mystery films made at other studios during the 30s and 40s have the feel of a Universal flick and could have benefited even more if they would
have been made at Universal, or do you think there would have been no benefit and perhaps even a detriment to the final result?
As a follow up question, what do you think the popular 1930s Universal horror movies, Dracula, Frankenstein, etc.. would have been like if tackled by other studios like MGM, RKO, or Warners? |
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TomWeaver999 |
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To me, the other-studio movies that most resemble Universals ... are the ones shot AT Universal. (The Poverty Row stuff using European Street, familiar
interior sets, etc.).
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Joe Karlosi |
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THE RETURN OF THE VAMPIRE (1943).
Just judging by DR. JEKYLL AND MR. HYDE (1931) perhaps DRACULA or FRANKENSTEIN would have been more edgy if released by Paramount. Of course, JEKYLL's edge was probably more due to Rouben Mamoulian...
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"It's MORE ... than a hobby!"
Last Edited By: Joe Karlosi
05/06/08 6:42 PM.
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The Batman of Gotham |
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Joe Karlosi wrote: I gotta agree with Joe.
Last Edited By: The Batman of Gotham
05/06/08 5:25 PM.
Edited 2 times.
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Imhoteps Ashes |
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Tom's right about the re-use of standing sets. Both THE VAMPIRE BAT and THE BLACK ROOM have a Universal vibe to them.
But it wasn't always the case! WHITE ZOMBIE, which features lots of castle trappings from DRACULA, has its fairt share of Universal moments, but mostly has a completely different, otherworldly eeriness of its own. |
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LesDaniels |
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The 1930s JEKYLL was released by Paramount, not MGM.
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GhostofChaneysLiver |
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I think some of the Columbia / Karloff / mad doctor films come pretty close to feeling like a Universal B movie.
Cromwell |
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Joe Karlosi |
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LesDaniels wrote: Right. Thanks, Les. Now corrected (I can't get the image of that old VHS box out of my mind).
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tomtriman |
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The Batman of Gotham wrote: ISLAND OF LOST SOULS was produced by Paramount, not by RKO. |
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The Batman of Gotham |
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tomtriman wrote: True. And yet it still evokes ( for me ) a similar atmosphere to RKO's 'KONG' pictures and MOST DANGEROUS GAME. Paramount was capable of some
awfully good films in the horror genre. However, like other studios beside Universal and RKO, they were rather trepedatious about exploring the possibility of
turning them into franchises. More's the pity.
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TomWeaver999 |
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UNDYING MONSTER is very Universal/WOLF MAN, including its poem that had to have been inspired by "Even a man who is pure in heart..." Then
there's Warners' Invisible Man comedy THE BODY DISAPPEARS (which is actually pretty good -- I like it better than most of Universal's Invisible Man
movies of the '40s).
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telegonus |
Two From Warners | ||
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The 1943 Warners wartime thriller The Mysterious Doctor has the look and feel of a Universal horror, right down to the knee-deep fog and
gnarled trees. When I first saw it I missed the start of the credits, thus was unaware of what studio produced this oddity, assumed that it was Uni, nearly
fell out of my chair when I saw at the end that Warners had made it. Coulda fooled me.
Warners' strange and badly edited 1947 horror Best With Five Fingers, though it features a largely Warnersish cast could have come from Uni, with Lorre on loan and J. Carrol Naish no stranger to that studio; substitute Robert Paige and Louise Albritton for Robert Alda and Andrea King and it could be a Universal picture. |
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voyttbots |
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CASTLE IN THE DESERT gives off the Universal feeling. To me the Paramount films don`t seem like Universals at all.
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telegonus |
Castle In the Desert | ||
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If you mean the Charlie Chan pic, I agree, but then a lot of the later Fox entries in the series had horrorish aspects to them, and many could have been, minus
Charlie and son, Uni second features. Fox's production values are superior, though, IMO.
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tomtriman |
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telegonus wrote:THE BEAST WITH FIVE FINGERS is my favorite Peter Lorre movie, brilliantly directed by Robert Florey, with visual effects by Luis Bunuel and a magnificent score by Max Steiner. Could you please elaborate on why you consider it to be "badly edited?" |
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DonM435 |
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tomtriman wrote: Maybe because J. Carroll Naish's "inspector" is still in it? |
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telegonus |
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I haven't seen TBW5F in a long while, however I remember it being difficult to follow; not sure of who the lead characters were supposed
to be; alternately creeped out and LMAO'ing watching the scenes of Peter and the Hand; and yes, J. Carrol Naish was very annoying. From interviews I've
read with director Robert Florey, he intended for the film to turn out quite differently, and apparently Warners took it out of his hands, and either reshot
some scenes or edited out ones that Florey directed that were crucial to the story, and he was quite dissatisfied with the results. My sense is that Florey was
aiming to make a kind of surreal masterpiece of horror, while the studio tampered with TBW5F quite a bit, making it more like a conventional
Hollywood horror movie, with a little romance and comedy thrown in for good measure.
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tomtriman |
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Lorre's performance is magnificent. His scenes with the dismembered hand are mesmerizing, as are scenes of the hand playing the piano. Steiner's score
is compelling. Florey's expressionistic direction is masterful.
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TomWeaver999 |
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I've seen BEAST a number of times without really warming up to it; to me, it's a lot of spooky weirdness kinda masquerading as a movie. And the
climactic "comedy" (what's in a word?) scene in which J. Carrol Naish talks to the audience, like the host of a children's TV show at the end
of the Halloween episode, kinda carries the unspoken message of, "If you tried to take this movie seriously, or worked hard at making sense of the plot,
boy, are YOU an ass!"
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tomtriman |
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I can't wait to get the DVD edition!
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luisj40 |
RETURN OF THE VAMPIRE | ||
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When I was a kid I always felt RETURN OF THE VAMPIRE was an unofficial sequel to Universal's DRACULA as Bela Lugosi pretty much plays the same role under a different name.
Luis
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