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Feb 9 08 11:54 PM
I'm certainly not seeing any evidence to change my mind, that's for sure. People seem to just want to ignore factual reality and history.
Cheers, Charles Prepolec Gaslight Grimoire: Fantastic Tales of Sherlock Holmes available October 2008 BakerStreetDozen.com: Sherlock Holmes in Film, Books and Media
Feb 10 08 1:41 AM
Feb 10 08 4:39 AM
As for the "adaptation" fallacy, comic books and fantastic films each require different levels of suspension of disbelief.
To have a comic book make the transition to live-action film means the story/characters/dialogue have to be adjusted/adapted to accommodate that different level. Comic books require a level of willful and imaginative participation on the part of the reader. The reader chooses to believe the reality of what appears on the limited static page of a four color comic. A film delivers a more passive experience based around creating an illusion that the mind perceives as real. If you translate a comic to film it has to support the passive illusion expected by film viewers.
Its becoming like an above average political debate climate in here and its certainly not boring at all.Interesting points of view all around and its safe to say the biggest sticking point for superhero films seems to be what era you came from and alot seems to stem also from an inevitability that comes with growing older where anything new and young is unmitigated garbage and everything you grew up on was beyond reproach.
Its kind of sad that i know i waited years and years for all the superheros i grew up on to hit theaters because the technology needed to play catchup. It equally sad they fail to really hit the mark with them as much as i would hope but i don't wish to be the creepy shut in down the street,cursing the world through his dust covered blinds while clutching a dog eared copy of KAMANDI in my sweaty paws.
The comics are still there. Jack Kirby imagined a world that no film will ever hope to match so we can always return to it. As much as remakes get under my skin, the horrendous HALLOWEENS and TEXAS CHAINSAW MASSACRES haven't erased the originals from the earth.
*The Flash hair color change shouldn't bother any comic purist as much as Osbourn not having those crazed Ditko cornrows! No outcry about that!?
*The TV HULK i loved as a kid. As an adult,i've had no real interest in buying those DVD sets. If BATMAN comes out,i will have no real interest in those either. BATMAN was my favorite growing up and i watched the show everyday in afternoon reruns. My mom says i would run around with a blue towel around my neck and sing the theme. I had the Mego Batman and Robin toys and countless Batman merchandise. The character was a HUGE part of my childhood. As an adult,i don't enjoy seeing that overly bright,garish cartoon version of Batman. I read the comics of the 70s while watching the old show,so i was exposed to Neal Adams darker version while watching the show.
The older i get,the more i don't want all superheroes to be smiling,uniform automatons who walk in line and respond to every threat with predictable results
I like that BATMAN thinks of all the possibilities,even the unpleasant ones. The fact that he works within his means rounding up street criminals with limited powers on dangerous streets as a mortal man means ,to me,that he SHOULDN'T behave exactly like SUPERMAN,who is basically a god on earth and can solve huge problems with ease and with minimal harm to himself.
* Oddly,i've never seen BATMAN as having the several mental illnesses being attributed to him in the majority of stuff i have read. Seeing as how he seems to be the only comic hero that routinely places his villains in an actual MENTAL INSTITUTION ,i wouldn't begrudge him for it either way. Nobody ever labels SPIDERMAN or the FLASH's enemies as "criminally insane". Seeing as how many people involved in policework and the military often suffer from stress and mental fatigue from the rigors of their duties,maybe BATMAN is no different. (seeing his parents gorily dispatched in front of his eyes notwithstanding)
*The web shooters debate made me laugh when it was the talk of the internet. Still can't believe it got that much attention. The ones on the TV show of the seventies looked like he had dental floss samplers wrapped around his wrists. No complaints here about the organic webbing.
*Kirsten Dunst..what did this poor girl ever do to anyone on here? Good grief. last time i checked,the leading actress of a story is designed to be attractive to the character she is in a relationship,not every Joe Ticketbuyer. I say she is a good choice, because i never bought the LAME turn in the comics where nebbish dork Peter Parker finally made good and would up with a national supermodel. That deserves a serious suspension of disbelief and i think goes against his character more so than anything else.
*As for adhering to the letter of the source material, i don't see people really getting bent out of shape at the horrible,criminal liberties that were taken by such film atrocities as FRANKENSTEIN, WIZARD OF OZ, THE THING, WAR OF THE WORLDS, JAWS etc who dared deviate from the originals. Just because comics have sequential pictures doesn't mean a film has to use those as storyboards.
*Peter yelling at Uncle Ben. If comic readers really want a comic to not be naive and condescending, then allow the characters to behave like people. People get mad and people yell at loved ones. I am sure everyone on here has done it. Peter never getting angry would make him seem like more of a volatile misanthrope who is destined to seek out the nearest belltower with a busy intersection. A hero who slumps around all day and keeps all of his emotions in is more mentally unstable than BATMAN could ever be.
*Heroes getting their identities revealed. I actually think you would be more hard pressed to find a superhero who didn't have at least one story where he was outed or someone discovered their identity. The point in SPIDERMAN was that this towering public hero was just some run of the mill kid who nobody even recognized ,anonymous with the mask AND without it. In a nutshell,it summed the character up completely.
*Raimi's pull on the film,i am sure is MUCH less than we think,especially if he was not even in the first 10 directors offered the gig. Its not his 100 million to play with as he sees fit. As for why he took the assignment, well he is a director by trade and he was offered the opportunity to direct a HUGE summer film of a character he grew up reading. Do you think he would turn that down to direct Xena episodes instead? Would anybody on here turn down a high profile,high paying job doing a film of a favorite childhood comic character?
The BATMAN show was close but West didn't look like a trained hand to hand combatant in that suit.
The 70s HULK was way off the mark,with that frightwig and glue on brow.
TVs SHAZAM was decent suitwise but terrible as an adaption.(A winnebago? A teenage Batson?). You would have to have seen the opening titles to know the 70s DR STRANGE TV pilot had anything to do with the comic character. The 70s CAPTAIN AMERICA was horrendous also,with that huge winged helmet,see through shield and unnecessary cycle. The SPIDERMAN show on CBS had those godawful wristbands, utility belt and silver foil eyeballs. Worst of all, these adaptions always had our powerful heros fighting...are you ready for this..the awe inspiring villainy of MEN IN TWEED SPORTCOATS! They never fought any of the comic book villains at all and that was absurd.
I would rather see a JUGGERNAUT or DOCTOR OCTOPUS who isn't 100% perfect than the same old guys that Street Hawk of Hardcastle and McCormick also beat up every week.
Doesn't make our superheroes look so super does it? I won't even bring up the SUPER HERO ROAST....Green Goblin looked incredibly lame but so did the three villains in SUPERMAN II with their Studio 54 SM gear.
*Comic book box office. If X MEN fans account for $4,000,000 of the tickets sold by going multiple times the film still made $157,299,171 domestically. Thats a lot of unaccounted for cash. Add to that the worldwide gross from countries where the film made money but nobody even cares they are a comic adaption. Trust me,i have been to Japan and if you think people there care more for US comics than their own,you are sadly mistaken.
Talk about anal-retentive. Jeeze Louise. {snip} And actually, Young Mr. Poopy-Pants
And y'know what? There were differences in the script and the comics. You're really very reactionary and close-minded; astonishingly so.
You could not possibly have been around during the first season of BATMAN-- I was, and I was exactly the right age to loath what they were doing to my comic book hero; see above.
And-- like Bill said above-- I watched it religiously, hoping against hope that next week they'll actually make a GOOD show. It never happened.
In the real world -- the adult world-- there is something unsettling and psychopathic about a guy who dresses up in a leather suit and cowl at night to go beat up & kill bad guys.
Watch Magnum Force. Death Wish.
Every adaptation from comics-- for that matter, any medium-- alters things. You didn't like Spider-Man? Good for you. Fact is, it was IMHO the best adaptation of a comic book after the first Superman
As for Thor... sheesh. I could never keep all those costumed pseudo-gods straight anyway. And they all had those awful Jack Kirby teeth, which always looked like a prize-fighter's mouthpiece. (Mr. Miracle? Har. Aporkalips? Jeeze.) Just relax and watch the movie.
Feb 10 08 5:02 AM
I watched it (Batman) religiously, hoping against hope that next week they'll actually make a GOOD show. It never happened. I can watch it to see how much fun the guest stars are having-- George Sanders, Julie Newmar, Vincent Price, etc. (who gives a shttt about Malachi Thorne? False-Face? WTF?) but it still stinks up the room.
You didn't like Spider-Man? Good for you. Fact is, it was IMHO the best adaptation of a comic book after the first Superman
Feb 10 08 7:23 AM
Yes, Joe, we all do indeed know that. Unless and until somebody can make a compelling argument explaining why Odin would not work on-screen with white hair while so many other characters such as Saurumon and Santa Claus, etc work just fine with white hair on-screen. You're just trying to skirt the argument there just a wee bit, don't you think?
Spiderman is one of the 3 most recognized and popular superheroes ever created. The fact that his movie smashed all Superman and Batman records indicates he could well be #1. The proof is in the pudding, and the pudding is quite tasty for the last 40 years. No need to tamper with the recipe. Remember "New Coke"?
All I'm saying is that he should still be the hero kids can (or rather should) look up to, not some sociopathic paranoid who is a bad role model for kids. Hell, if anything, we need the old Batman now more than ever, in this new age of laziness, apathy, lack of respect, moral decay, and worship of decadence. Sure, make him a more serious creature of the night, but do it 60's/70's style, when Batman was still a good role model and a superhero, not a psychopath in a bat suit.
Only if you endorse all that depraved crap. It troubles me, Joe, to even hear this argument coming from you of all people. They took a good character, a character that served as an icon of some of our highest aspirations, and turned him into a raving madman, and you seem to be ok with it.
Amen. If they can't suspend disbelief about mechanical webshooters, then they can't suspend disbelief about a guy crawling walls and won't be seeing the movie in the first place, so mechanical webshooters is irrelevant.
First, are we in agreement on that as well? Because honestly I cannot even imagine anyone believing that if Uncle Ben had been killed at home, the movie would have tanked.
You seem to be trying to avoid the inevitable conclusion we're racing towards.
This still doesn't change the facts about the Spiderman movie. I take it then that you agree that my changes would not have had a negative effect on box office?
I don't think I'll ever be able to explain the concept to you, at this point.
I think I see where the impasse is. You seem to be looking at it as if I can predict outcomes without any information to go on. But I don't do that. Those patterns I talk about give me plenty of information to go on. And when the trailers or screen caps get released, I look at it objectively to see if perhaps the pattern's been broken (and hoping so). If the trailer looks good, if the leaked photos of Thor look accurate, I won't be able to help being encouraged and thinking perhaps the pattern has finally broken. So I'm not just making empty predictions such as "There will be an earthquake in Colorado this Wednesday". It's not out of the blue prediction. It's simply seeing the pretty much unavoidable outcome of a set of patterns based on seeing it played out again and again.
I care, that's who cares.
I don't care who changed dick. It was changed, it was changed in a ridiculous manner, and for no compelling reason. That damns the film, end of story.
Again, I have done the math. If there are 100,000 comic fans who love Xmen and they each go see it 5 times, that's half a million tickets at an average of $8 a ticket, or $4,000,000 right there.
Feb 10 08 8:05 AM
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Feb 10 08 10:32 AM
(Bob Kane, btw, was a ...
Feb 10 08 11:45 AM
Count Karnstein wrote: You clearly haven't been reading my posts.
Feb 10 08 11:58 AM
Feb 10 08 12:13 PM
By time ABC pushed up the debut date to January 1966, thus foregoing the movie until the summer hiatus, Lorenzo Semple Jr. had signed on as head script writer. He wrote the pilot script, and generally kept his scripts more on the side of pop art adventure. Stanley Ralph Ross, Stanford Sherman and Charles Hoffman were script writers who generally leaned more toward camp comedy, and in Ross' case, sometimes outright slapstick and satire. The network and the studio expected one thing; Dozier's superior distaste of the material twisted into something else. The original concept was NOT a send-up. Only when the studio did GREEN HORNET in the wake of BATMAN's success did they get near what was originally anticipated, a straightforward comic-book adventure series. The difference between the two shows reveals that spoofing the comic origin was a deliberate act. The series was primarily written by guys who apparently cared more about making fun of the characters and situations than making a straightforward comic book adventure; Semple and ol' Ross, who was like that era's Bruce Villache or something. It was written, designed and filmed as tongue-in-cheek parody, a smirking "We're so much better than this" attitude. King Tut? Shame? Louie the Lilac? Oh, do come along, young man. There was never a sense of genuine peril or jeopardy, unlike the comics. Whatever minor elements the writers lifted from comics-- and boy were they minor-- the adaptations were tonally different from the comics; a real betrayal on the level of the sort you seem to see in Spider-Man. I vividly recall a comic c. 1960 with a cover showing Robin about to suffocate and BatMan powerless to stop it. That was traumatic; nothing in the series ever came close to real dramatic frisson like that. You couldn't: the show was a comedy, with silly, bigger than life characters; you can't care for them or their situation. The annoying BIFF POW SPLAT things... don't get me started. And hey-- what's the deal with Adam West's hair? Bruce Wayne had black hair, everybody knows that! Brown hair? What a gyp!
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Feb 10 08 3:20 PM
davlghry wrote: Even during the "silly" era, in 1963, there was that knockout cover and story in BATMAN #156, "Robin Dies At Dawn." Maybe one of the most powerful comic book covers of all time. Wish I could post it!
That's a cracking story, that one. You can read it in the 1989 printing of The Greatest Batman Stories Ever Told. Here's the cover art - http://www.hembeck.com/Covers/Batman156.htm
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