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Feb 8 17 11:54 AM
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Feb 8 17 11:13 PM
INT. FLECKER MUSEUM - MODEL SHIP EXHIBIT - NIGHT
CLOSEUP of a grinning cat's face which adorns the bowhead,
the end of the timber projecting at right angles from the bow
of a model ship.
CAMERA DRAWS BACK for CLOSE SHOT of Irena looking at the ship
model. It is the "Royal Harry,11 progenitor of the mighty
British fleet. But what obviously holds Irena's interest is
the cat's face. She is fascinated.
THREE SHOT - Alice and Oliver in the f.g.and Irena in the
b.g. Alice and Oliver are engrossed in their examination of a
frame model of the privateer, "Swallow". They move over to
the next, model, which brings them beside Irena. Alice stops
and looks at Oliver.
I'm afraid this is dull for Irena.
Irena, aroused from her absorption in the quaint cat face on
the "Royal Harry," comes to herself with a start. Oliver
takes her elbow.
Look, darling, there are some
beautiful moderns upstairs. Why
don't you take a look at them?
I like these little boats. I
want to be with you.
(looking up at Oliver; pouting)
Don't send me away.
(gently and lightly)
We're not sending you away. We
just don't want you to be bored.
Irena looks at him. Her mood changes, as she feels that
perhaps they do want to be rid of her. She walks off.
(calling after her)
We'll meet you in the main lobby
in an hour.
Alice's attention is attracted by a set of line drawings.
She turns to them.
Ollie, look! Line drawings of
They begin to examine the drawings,
INT. MUSEUM CORRIDOR - EGYPTIAN ROOM - NIGHT
Irena paces the museum corridors. She walks alone, the
CAMERA TRACKING with her. A sullen look is on her face and
her lips are heavy with sulkiness. She passes a showcase
filled with terra cotta figurines of the cat-headed
goddess, Bubastis. She only glances at them as she passes.
Her stride lengthens with her growing anger. At the end of
the aisle she stops still and looks up.
As SHOT from Irene's VIEWPOINT, looking up, we see a
towering effigy of the goddess Bubastis, carved into a
black basalt caryatid. The huge cat head is supported by a
lovely, slim, women's neck, rising from rounded, feminine
shoulders. The goddess gazes down at Irena from blind,
enigmatic, cat's eyes.
Irena, as she looks up at this dread goddess of the noonday
sun, seems to reach a resolve. Her expression grows grim,
resolute. She turns, and walks quickly away.
INT. MAIN LOBBY - MUSEUM - NIGHT
Irena walks through the main lobby toward the exit door.
She pauses for a moment beside a greet bronze statue of a
puma leaping on a frightened horse, and looks toward the
ship exhibit room.
INT. MODEL SHIP EXHIBIT ROOM'- MUSEUM - NIGHT
As SHOT from the lobby, from Irena's VIEWPOINT, with the
bronze statue of the puma and the horse in the f.g.
We can see Alice and Oliver within the exhibit room, with
their backs turned, closely Inspecting a ship model.
INT. MAIN LOBBY - MUSEUM - NIGHT
SHOOTING through the intricacies of the puma-and-horse
statue at Irena, who looks a moment at Alice and Oliver,
then turns, and walks out of the building.
Feb 9 17 1:39 AM
Feb 9 17 7:59 AM
Feb 9 17 8:09 AM
Feb 9 17 8:26 AM
Feb 9 17 12:27 PM
JeanAlain wrote:That the descriptions do not quite fit together make them looks more plausible to me than if they were repeating exactly the same thing.
Feb 9 17 12:43 PM
davlghry wrote:More likely the French writers picked up a rumor or anecdote and ran with it. It wouldn't be the first time in the history of film writing.
More likely the French writers picked up a rumor or anecdote and ran with it. It wouldn't be the first time in the history of film writing.
Feb 9 17 1:42 PM
Feb 9 17 3:35 PM
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